# Artisans Accuse Havaianas of Unauthorized Use of Traditional Embroidery Name

Community members claim the brand misappropriated their cultural heritage for a commercial product line.

- **Source:** [Folha de S.Paulo](https://www.folha.uol.com.br)
- **Published:** 2026-11-08
- **Topic:** [Business](https://brifing.si/c/business)
- **Original article:** <https://redir.folha.com.br/redir/online/emcimadahora/rss091/*https://c-level.folha.uol.com.br/negocios/2026/11/artesas-acusam-havaianas-de-usar-nome-de-bordado-tradicional-sem-autorizacao.shtml>
- **On Brifing:** https://brifing.si/s/15889b73-0e50-4867-9d21-e17f95a9e6d1

## Cultural Misappropriation Allegations

Artisans and residents of Ilha do Ferro, Alagoas, have accused the footwear brand Havaianas of unauthorized use of their traditional 'Boa-Noite' embroidery name. The community claims the company utilized their cultural identity to market a product without consulting local craftswomen, arguing that the design fails to reflect their authentic artistic techniques.

## Product Naming Controversy

The collection, titled 'Havaianas Top Boa Noite' and priced at R$ 94.99, sparked outrage among local residents who discovered the product via social media. Community leaders emphasize that the embroidery is a generational craft practiced by women in the region, and its commercial use requires explicit consent from the actual creators.

## Corporate Response and Commitment

Havaianas, owned by Alpargatas, stated the product was inspired by a research trip to the region. The company has officially agreed to change the collection's name following the complaints. They are currently in contact with community representatives to discuss potential future partnerships, although the name remains unchanged on some sales platforms.

## Legal Perspective on Intellectual Property

Legal experts note that while general techniques and cultural styles are not always protected by copyright, specific artistic compositions may be. Lawyers suggest that if the brand reproduced unique patterns created by the artisans, it could constitute a violation, potentially leading to demands for compensation and the recognition of original authorship.

## Broader Implications of Appropriation

Beyond copyright law, legal scholars highlight the risk of consumer deception. By associating the product with the Ilha do Ferro name, the marketing may mislead buyers into believing the item involves local artisan participation. This raises concerns regarding constitutional protections for cultural heritage and the possibility of collective moral damage lawsuits.

## Financial Context of Alpargatas

Alpargatas, the parent company of Havaianas, maintains a global presence in over 70 countries. In the third quarter of 2026, the company reported a net revenue of R$ 1.24 billion. The Havaianas brand alone accounted for R$ 1.23 billion of this total, underscoring the significant commercial scale of the disputed product line.

## Community Demands for Recognition

The artisans are seeking more than just a name change; they demand measures to mitigate the damage caused by the unauthorized use of their cultural reference. Community leaders remain open to a participatory proposal, provided that local artists are given proper protagonism, similar to successful collaborations the community has established with others.

## Future of Cultural Collaborations

This incident highlights the growing tension between large corporations and traditional communities regarding the commercialization of cultural heritage. As the case proceeds, the focus will remain on whether the brand can successfully pivot toward a collaborative model that respects the intellectual and cultural rights of the Ilha do Ferro artisans.

## Sources covering this story

- https://redir.folha.com.br/redir/online/emcimadahora/rss091/*https://c-level.folha.uol.com.br/negocios/2026/11/artesas-acusam-havaianas-de-usar-nome-de-bordado-tradicional-sem-autorizacao.shtml — 

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_Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._
