# Curating Halloween Horror: io9 Editorial Staff Movie Recommendations The io9 team shares their curated horror film selections for a full-day Halloween marathon. - **Source:** [Gizmodo](https://gizmodo.com/) - **Published:** 2026-10-30 - **Topic:** [Business](https://brifing.si/c/business) - **Original article:** - **On Brifing:** https://brifing.si/s/59cc3153-1f10-49a7-9939-827ce2241f06 ## Extended Halloween Viewing Opportunities With Halloween falling on a Saturday, the io9 team highlights the benefit of having an entire day for festivities. Moving beyond evening parties, the schedule allows for immersive, day-long horror marathons. This shift in timing encourages viewers to integrate spooky pop culture into their morning routines, starting immediately after waking up. ## The Thing as Classic Selection Jen Lennon selects John Carpenter’s 1982 classic, The Thing, for its enduring visual effects and Ennio Morricone’s score. The film, starring Kurt Russell and Keith David, is praised for capturing intense isolation and paranoia. Lennon avoids traditional holiday-themed films, preferring this specific title to lean into the season's darker, atmospheric vibes. ## Exploitation Cinema and Alien Terror Cheryl Eddy opts for the 1980 Italian film Alien Terror, also known as Alien 2: On Earth. Despite the misleading title intended to capitalize on Ridley Scott’s 1979 blockbuster, the film features monster-replaced astronauts and cave explorers. Eddy anticipates the combination of splatter effects and poorly dubbed dialogue for her Halloween night. ## Techno-Horror and Pulse Analysis Isaiah Colbert chooses Kiyoshi Kurosawa’s 2001 film Pulse for his group’s screening. He prioritizes deep cuts over mainstream hits like Ringu, utilizing a home projector for the experience. Colbert notes that a specific silhouette shot in the finale remains one of the most unnerving scenes in horror, potentially influencing modern internet-based horror creators. ## Nostalgia for The Blair Witch Project Germain Lussier revisits The Blair Witch Project, reflecting on its 1999 release when marketing blurred reality and fiction. Beyond the initial fear, Lussier appreciates the film’s cultural impact and the unique failure of its sequels. He contrasts the $27,000 budget with its massive box office success, highlighting a simpler era of filmmaking. ## The Evolution of Horror Collectibles The editorial team notes the enduring appeal of horror-themed merchandise, referencing toy lines that began in 1998. These collectibles remain significant for fans, alongside new physical media editions of classic films. Such products continue to bridge the gap between cinematic experiences and tangible fan engagement, reinforcing the industry's focus on seasonal horror. ## Industry Trends in Horror Media The discussion extends to upcoming projects, including Jason Eisener’s documentary on the origins of Michael Myers. Furthermore, high-end collectibles, such as the new Sideshow release featuring Regan MacNeil, demonstrate the ongoing commercialization of iconic horror characters. These developments indicate a robust market for legacy horror intellectual property across various media formats. ## Strategic Content Curation Significance By sharing personal watchlists, the io9 team demonstrates how editorial curation drives audience engagement during seasonal peaks. This approach moves beyond simple reviews, offering context on film history, production anecdotes, and personal nostalgia. Such content strategies effectively leverage existing intellectual property to maintain reader interest throughout the busy Halloween holiday period. ## Sources covering this story - https://gizmodo.com/heres-what-io9-is-watching-this-halloween-2000833245 — --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._