# Dis Fig Explores Sonic Extremes in What to Make of These Mortal Hands Felicia Chen balances delicate vocal intimacy with apocalyptic noise in her latest experimental album. - **Source:** [Pitchfork – Reviews](https://pitchfork.com/reviews/albums) - **Published:** 2026-11-04 - **Topic:** [entertainment](https://brifing.si/c/entertainment) - **Original article:** - **On Brifing:** https://brifing.si/s/5a834404-fd3e-460c-9812-4f15fe58f80b ## Evolution of a Sound Felicia Chen, known as Dis Fig, continues her artistic trajectory by refining the balance between deep bass immersion and abrasive noise. Building on her 2019 debut PURGE, this new project moves away from pure rave influences toward sharper contrasts. She now integrates caustic drones with intimate, close-mic’d vocal performances that reveal deep vulnerability. ## Acoustic and Electronic Fusion The album marks a shift by incorporating acoustic instruments alongside her signature industrial clatter. Tracks like A Hundred Hands utilize pensive guitar melodies, while Mystic One features murky piano chords. These elements create fragile, intimate atmospheres that contrast with the record's more aggressive, noise-driven segments, showcasing a broader sonic palette than previous works. ## Vocal Manipulation Techniques Chen demonstrates increased mastery over her voice through sophisticated mixing and delivery techniques. On tracks like I’ll See You in the Burning Sun, she pushes her vocal range to the brink, using distortion and EQ to blend her voice into synthesized noise. This approach makes her vocals indistinguishable from the surrounding electronic textures. ## Medieval and Dark Textures The title track introduces the psaltery, a fretless zither, to establish a medieval, meandering atmosphere. This organic sound is quickly overtaken by a persistent electronic buzz, foreshadowing the blistering bass and screams that follow. Such transitions highlight her ability to weave disparate historical instruments into modern, punishing soundscapes that feel both ancient and futuristic. ## The Anatomy of Tension Chen excels at manipulating non-tonal elements like timbre, distortion, and negative space to generate cinematic tension. In The Snake You Built, the interaction between a shimmering LFO synth and Diana Miron’s uneasy string vibrato creates a visceral, chilling effect. These moments serve as the structural glue between the album's cathartic excess and quiet hope. ## Choral and Atmospheric Roots On Ginko’s Way, Chen draws from her background as a youth choir singer to ground the track in solemn harmonies. By utilizing cathedralesque reverb and the ambient sound of cawing crows, she constructs a desolate sanctuary. This track highlights her capacity to immerse the listener in specific, evocative environments through careful sound design. ## Sculpting Through Sound Chen treats her voice like a sculptor working in relief, allowing it to glide along the grain of electronic instrumentals or jut outward aggressively. This fluid approach ensures that songs rarely linger in a single affect, instead building patiently toward noisy climaxes. Her performance style emphasizes the physical sensation of sound within the mix. ## Artistic Significance and Impact What to Make of These Mortal Hands represents a maturation of Chen’s ability to layer conflicting sonic textures. By successfully bridging the gap between tender, whispered expressions and apocalyptic clamor, she creates a cohesive, fluid experience. The album stands as a testament to her growing command over complex, non-tonal musical compositions and arrangements. ## Sources covering this story - https://pitchfork.com/reviews/albums/dis-fig-what-to-make-of-these-mortal-hands/ — --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._