# Dutch Design Week Features Furniture Made From Traffic Barriers

Studio Martins Mezulis and 13_0663_tsx transform standard Dutch safety barriers into public seating.

- **Source:** [design archives | designboom | architecture & design magazine](https://brifing.si/source/11868f8d-1e20-41ac-bc2d-8c5af32d721b)
- **Published:** 2026-10-21
- **Topic:** [Design & UX](https://brifing.si/c/design)
- **Original article:** <https://www.designboom.com/design/red-white-aluminum-safety-barriers-public-seating-dutch-design-week-martins-mezulis-13_0663_tsx/>
- **On Brifing:** https://brifing.si/s/601cbc0f-94f9-4a68-981e-93510abedd5c

## Reimagining Urban Safety Infrastructure

The iconic red-and-white aluminum traffic barrier, known as the schrikhek, serves as the primary design reference for the new 'stop!' collection. Studio Martins Mezulis and 13_0663_tsx have reconfigured these standardized Dutch construction zone markers. By shifting their purpose from restrictive traffic redirection to social gathering, the designers challenge traditional urban utility.

## Design Philosophy and Materiality

The collection reinterprets the visual language and material composition of familiar safety infrastructure into functional street furniture. Each piece utilizes the high-visibility aluminum panels typically found in temporary construction zones. By integrating steel components, the designers ensure these repurposed structures provide stable, comfortable seating for pedestrians and cyclists in public areas.

## Public Debut in Eindhoven

The 'stop!' collection makes its official public debut during the current Dutch Design Week. Installations are strategically positioned at two key locations: Strijp-S Ketelhuisplein and Design Perron in Eindhoven. These sites allow visitors to interact directly with the furniture, testing how industrial safety elements function when placed in a social context.

## Technical Specifications of Furniture

Each unit in the collection maintains specific dimensions to ensure ergonomic utility as outdoor seating. The benches measure 450mm in height, 1250mm in length, and 500mm in width. These measurements were chosen to balance the original industrial aesthetic of the traffic barriers with the practical requirements of a functional public bench.

## Shifting Social Urban Dynamics

The project explores the potential for utilitarian safety elements to foster community interaction rather than merely diverting traffic. Instead of signaling danger or restricted access, the modified forms invite users to pause and gather. This transformation highlights how familiar urban objects can be adapted to improve the quality of public spaces.

## Collaborative Design Process

This project represents a collaboration between Studio Martins Mezulis and 13_0663_tsx, two entities focused on recontextualizing everyday materials. Their approach emphasizes the creative reuse of existing infrastructure, reducing the need for new raw materials. By leveraging the existing supply of road safety barriers, the designers promote a circular approach to urban furniture.

## Contextualizing Dutch Urban Design

In the Netherlands, red-and-white barriers are ubiquitous, serving as a standard visual cue for construction zones. By selecting this specific object, the designers engage with a deeply ingrained cultural symbol. The project forces a re-evaluation of how these temporary, often ignored, industrial objects shape the daily experience of navigating Dutch city streets.

## Future of Adaptive Infrastructure

The 'stop!' collection demonstrates the viability of repurposing temporary infrastructure for long-term public use. As cities look for sustainable ways to furnish outdoor spaces, this model offers a blueprint for creative reuse. The success of these installations during Dutch Design Week suggests a growing interest in adaptive, design-led solutions for urban environments.

## Sources covering this story

- https://www.designboom.com/design/red-white-aluminum-safety-barriers-public-seating-dutch-design-week-martins-mezulis-13_0663_tsx/ — 

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_Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._
