# Iran Basij Commander Claims Shift in US and Israeli Influence

Hossein Taeb highlights resistance cinema as a tool to challenge Western media dominance.

- **Source:** [Middle East Eye](https://www.middleeasteye.net)
- **Published:** 2026-11-06
- **Topic:** [politics](https://brifing.si/c/politics)
- **Original article:** <https://www.middleeasteye.net/live-blog/live-blog-update/irans-basij-chief-praises-resistance-cinema-saying-change-has-begun-us>
- **On Brifing:** https://brifing.si/s/89456978-c9ca-4fc4-861d-995782486664

## Basij Commander Addresses Festival

During the closing ceremony of the 19th International Resistance Film Festival in Tehran, Basij commander Hossein Taeb delivered a speech regarding regional shifts. He asserted that significant changes have already commenced within the United States and Israel, suggesting these nations are currently facing internal transformations amid their ongoing efforts to reshape the Middle East.

## Defining Resistance Cinema

Taeb characterized the festival as a platform for resistance cinema, a medium intended to disrupt what he described as America’s media monopoly. By framing film as a strategic tool, he argued that artists serve on a perceptual battlefield, maintaining their positions despite economic sieges, military threats, or the shadow of regional conflicts.

## Artistic Duty in Conflict

The commander compared the role of an artist to that of a combatant who never abandons their military launchers during defense. He emphasized that filmmakers engaged in this movement do not desert their posts, viewing their portrayal of resistance as a method to inflict a new form of defeat upon their perceived enemies.

## Regional Conflict Perspectives

Referencing military actions in Gaza, Lebanon, Iraq, and Syria, Taeb acknowledged the suffering of oppressed peoples and the loss of children. He maintained that despite these violent events, the United States and Israel remain the true losers in the conflict, framing the regional instability as a failure of their strategic objectives.

## Media as Strategic Warfare

The emphasis on resistance cinema reflects a broader strategy to utilize cultural output as a counter-narrative to Western media influence. By promoting specific artistic portrayals, the Basij aims to shape public perception and challenge the dominant narratives surrounding regional security, effectively turning the film festival into a venue for ideological and political messaging.

## Context of Regional Tensions

The rhetoric used by Taeb aligns with long-standing Iranian foreign policy positions regarding the Middle East. By explicitly linking artistic expression to military-style resistance, the leadership seeks to unify cultural production with national security goals, ensuring that the narrative of resistance remains central to both domestic discourse and international diplomatic posturing.

## Challenging Western Hegemony

Taeb’s comments suggest a belief that the perceived decline of US and Israeli influence is not merely military but also cultural. By claiming that change has begun, he signals to his audience that the current geopolitical order is shifting, with resistance cinema acting as a catalyst for this anticipated transformation in global power dynamics.

## Future Implications of Rhetoric

The focus on the perceptual battlefield indicates that Iran intends to escalate its use of soft power to combat international pressure. As the region continues to experience instability, the integration of cinema into political strategy highlights an ongoing effort to maintain ideological cohesion while projecting strength against external adversaries and their regional allies.

## Sources covering this story

- https://www.middleeasteye.net/live-blog/live-blog-update/irans-basij-chief-praises-resistance-cinema-saying-change-has-begun-us — 

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_Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._
