# UK steps up legal action against concert ticket scalping Government drafts new laws to protect fans from exploitative resale practices. - **Source:** [Business | The Guardian](https://www.theguardian.com/uk/business) - **Published:** 2026-09-26 - **Topic:** [Business](https://brifing.si/c/business) - **Original article:** - **On Brifing:** https://brifing.si/s/8d4f943d-8fb8-4ee3-bc70-72dfa3445dfb ## Government accelerates anti-touting legislation The UK government has formed a dedicated 'bill team' within DCMS to draft legislation banning for-profit ticket resale. This follows Prime Minister Keir Starmer's 2024 manifesto pledge to protect fans from scalping. The move comes after pressure from major artists including Dua Lipa, Coldplay, and Smiths drummer Mike Joyce. Current proposals would impose tougher penalties on platforms like Viagogo and StubHub that facilitate speculative ticket sales. ## Artists demand urgent action Prominent musicians are increasing pressure on the government to fulfill its anti-touting promises. Tinie Tempah and Mike Joyce recently highlighted new evidence of scalpers targeting small Manchester venues. Research shows tickets being resold at up to 19,728% markup, with some listings violating competition rules. Artists argue these practices harm both fans and the music industry while benefiting professional scalpers. ## International scalping networks exposed FanFair Alliance research revealed just three international scalpers (based in Latvia, North America and Germany) control over 75% of secondary market listings. These professional operations use specialized software to mass-purchase tickets for immediate resale. While Viagogo disputes the exact figures, their platform facilitates listings for obscure events like psychic readings and rum tastings alongside major concerts. ## Current legal landscape While unauthorized football ticket resale is already illegal in the UK, concert and theater tickets operate in a legal gray area. Some individual scalpers have faced fraud charges, but systemic change requires new legislation. The proposed laws would align the UK with Ireland's 2021 touting ban. O2 estimates fans lost £60m to scalpers between the policy announcement and April 2024 alone. ## Speculative selling tactics Investigations show scalpers routinely list tickets they don't actually possess, hoping to acquire them after securing buyers. This 'speculative selling' accounted for many listings on secondary platforms. Some listings lacked required seller information, violating competition rules. The new legislation would specifically target these practices with stricter enforcement and penalties for non-compliance. ## Industry-wide impact The secondary ticket market affects venues of all sizes, from major arenas to intimate clubs like Manchester's Band On The Wall and Gorilla. Research examined 300 events across 13 venues where tickets were being scalped. Small venues suffer particularly as inflated prices deter genuine fans while scalpers profit from artificial scarcity they help create. ## Platform responses Viagogo maintains it complies with UK law and prohibits speculative listings, though evidence contradicts this claim. The company argues actual sale prices are lower than listed markups. Meanwhile, industry groups continue exposing exploitative practices like bulk-buying software that enables professional scalping operations to dominate the secondary market. ## Legislative challenges ahead Drafters must address potential loopholes, including scalpers moving operations offshore. The DCMS aims to create 'future-proof' laws that remain enforceable as resale tactics evolve. Culture Secretary Lisa Nandy has signaled this as a priority, with potential policy details expected at the upcoming Labour conference. Success would mark a significant consumer protection victory. ## Sources covering this story - https://www.theguardian.com/business/2026/sep/26/work-intensifying-uk-laws-stamp-out-concert-ticket-touts — --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._