Brifing

Photographer Ivan McClellan Expands Documentation of Black Rodeo Culture

A new edition of Eight Seconds captures the enduring legacy of Black cowboys.

Colossal2 min

1Documenting a Vibrant Tradition

Since 2015, photographer Ivan McClellan has been deeply embedded within Black rodeo communities across the United States. His project captures the intense energy of competitors riding bulls and horses from California to Illinois. This work serves as a vital visual record of a thriving subculture that has gained significant national attention recently.

2Expanding the Visual Archive

The updated edition of his book, Eight Seconds: Legacy in Motion, functions as an essential addendum to his previous work. It introduces 91 new images that highlight the diverse people and specific locations integral to this tradition. Published by Damiani, the book deepens the narrative scope of his ongoing, decade-long photographic exploration.

3Focusing on Youthful Talent

The cover of the new edition features Kortnee Solomon, a teenager from Texas who is recognized as one of the youngest competitors in the circuit. She is depicted wearing a distinctive rainbow-colored money shirt and a blue hat. Her presence on the cover symbolizes the next generation carrying forward this long-standing cultural legacy.

4Artistic Approach to Lighting

McClellan intentionally avoids the harsh, over-exposed aesthetic often found in journalistic rodeo photography. Instead, he utilizes shadow and warmth to create intimate portraits. This stylistic choice emphasizes the familiarity and mutual respect present within the communities, moving beyond mere action shots to capture the genuine human connections built over many years.

5Capturing Arena Dynamics

Beyond portraits, the collection includes candid shots of cowboys racing across dirt stages toward cheering crowds. These images capture the raw intensity of the arena under bright stadium lights. By positioning the camera alongside the competitors, McClellan provides viewers with a visceral sense of the speed and danger inherent in rodeo sports.

6Geographic Breadth of Work

The project spans a wide geographic range, featuring participants from states including Oklahoma, Oregon, California, and Illinois. By documenting individuals like Ty Casico and Jada Sapphire, McClellan illustrates the widespread nature of Black rodeo culture. This regional diversity underscores that the tradition is not localized but a nationwide phenomenon with deep roots.

7Evolution of the Project

The transition from the original body of work to this expanded edition reflects a decade of relationship building. McClellan has transitioned from an observer to a trusted figure within these communities. This trust allows for more candid, personal photography that reveals the internal bonds formed both inside and outside the competitive arena.

8Cultural Significance and Access

This photographic series preserves a unique aspect of American history that is often overlooked in mainstream media. Readers can access the full archive through McClellan’s website or purchase the updated book via Bookshop. By documenting these stories, the work ensures that the legacy of Black rodeo participants remains visible for future generations.

Original article: Colossal — Photographer Ivan McClellan Expands Documentation of Black Rodeo Culture