# David Chipperfield Architects Constructs Monolithic Gallery for Single Kiefer Artwork A custom-built concrete pavilion in Germany houses Anselm Kiefer’s large-scale painting Black Flakes. - **Source:** [Architecture news and projects | Dezeen](https://brifing.si/source/50c21201-9cc6-48e0-8a7c-6ea605af10c3) - **Published:** 2026-10-20 - **Topic:** [Business](https://brifing.si/c/business) - **Original article:** - **On Brifing:** https://brifing.si/s/c73c67ee-9858-4d3c-827d-f706e357dfc7 ## New Pavilion Architectural Context David Chipperfield Architects expanded the Carmen Würth Forum in Künzelsau, Germany, by adding a dedicated pavilion. This monolithic concrete structure sits on a grassy mound within the museum's existing sculpture garden. The original forum, also designed by the same firm, opened in 2020, establishing a cohesive aesthetic language across the site. ## Design Driven by Artwork The pavilion’s dimensions were dictated entirely by Anselm Kiefer’s painting, Schwarze Flocken. Measuring 11 by 7.1 meters, the artwork was previously too large for the main museum building. The architects collaborated directly with Kiefer to ensure the cuboid structure provided a precise, tailored setting for this specific, monumental piece of art. ## Materiality and Structural Form The building features a cuboid shape constructed from brick and bush-hammered concrete, echoing the surfaces of the nearby Carmen Würth Forum. A protruding canopy marks the entrance, serving as a portico that provides weather protection. This transition space effectively bridges the gap between the surrounding landscape and the quiet, internal exhibition environment. ## Passive Climate Control Strategy Unlike conventional galleries, this space lacks active climate control systems. The walls utilize a three-layer construction of concrete, brickwork, and internal clay plaster to manage environmental conditions. This design maintains frost-free temperatures naturally, allowing the building to adapt to varying seasonal shifts without relying on mechanical heating or cooling infrastructure. ## Interior Lighting and Atmosphere The interior features exposed timber roof structures and clay-plastered walls. Rooflights are strategically positioned to introduce natural light, which changes throughout the day and across different seasons. The goal is to avoid uniform illumination, instead fostering a tranquil, focused atmosphere that encourages visitors to slow down and observe the artwork. ## Artistic and Historical Significance The painting itself, Black Flakes, is named after a poem by Holocaust survivor Paul Celan. By creating a dedicated, singular space for this work, the architects have enabled its first-ever public presentation. The design prioritizes the artwork's presence, ensuring that the architecture remains a restrained, sculptural backdrop for the painting. ## Architectural Studio Portfolio Context David Chipperfield Architects recently highlighted their broader museum design expertise through a video retrospective. This project joins a portfolio that includes the Hepworth Wakefield gallery in West Yorkshire and the Turner Contemporary museum in Margate. These projects demonstrate the firm's consistent focus on creating specialized, site-specific environments for institutional art display. ## Implications for Exhibition Design This project challenges standard museum practices by rejecting strict climate parameters in favor of a passive, material-based approach. By building around a single, massive artwork, the studio demonstrates how architectural form can be secondary to the specific needs of a masterpiece, prioritizing the viewer's experience over traditional, high-maintenance exhibition norms. ## Sources covering this story - https://www.dezeen.com/2026/10/20/anselm-kiefer-pavilion-david-chipperfield-architects-germany/ — --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._