# 2hollis Explores Maximalist Ambition and Genre-Bending Sound on Fifth Album Pirouette The Los Angeles artist delivers a sprawling, sixteen-track odyssey through diverse electronic and pop landscapes. - **Source:** [Pitchfork – Reviews](https://pitchfork.com/reviews/albums) - **Published:** 2026-11-12 - **Topic:** [entertainment](https://brifing.si/c/entertainment) - **Original article:** - **On Brifing:** https://brifing.si/s/d38acde9-608c-4feb-98b3-a2ba683bed21 ## Maximalist Artistic Evolution 2hollis has released his fifth studio album, Pirouette, marking a significant shift toward maximalist production. The record spans fifty minutes and sixteen distinct vignettes, moving beyond his previous dance-trap roots. By integrating diverse influences like pop-punk, ambient IDM, and trance, he attempts to redefine his sound within a competitive musical landscape. ## Narrative and Conceptual Framework The album is structured as a non-chronological odyssey narrated by a character named One. According to the artist, the project explores the overwhelming nature of the human experience, specifically focusing on love in its destructive and tender forms. This conceptual layer adds depth to his established, cult-like digital presence among fans. ## Production and Collaborative Scope The technical scale of the album is immense, with some Ableton project files containing over 300 individual audio tracks. Notable collaborations include Mk.gee, who co-produced the glitchy track Human After All. Additional production credits are shared among Skai, Ginseng, and Andrew Aged, contributing to the record's dense and layered sonic texture. ## Genre-Bending Sonic Experiments Pirouette ricochets between hyperpop, industrial, and pop-punk styles. The opening track, Spring (Love Me), serves as a full-fledged pop-punk anthem, a departure from his earlier work. Meanwhile, tracks like Sophie utilize scuzzy, bright guitar bombast, while others lean into the industrial textures previously hinted at in the single Hurt. ## Standout Tracks and Euphoria The album finds its strongest footing when blending club euphoria with sharp, concise songwriting. The track Sex channels the energy of late-aughts electropop, while Skin utilizes a drum-and-bass riff to create a visceral experience. Warhorse stands out for its complex polyrhythms, showcasing the producer's ability to incite a genuine listener frenzy. ## Critique of Derivative Choices Despite the ambition, some critics argue the project occasionally suffers from derivative influences. Tracks like Sophie and Betrayal are noted for echoing established sounds from Green Day or early indie-folk, which can dilute the artist's eccentricity. This creates a tension between his desire for innovation and the reliance on familiar genre tropes. ## The Producer's Technical Ambition The artist is clearly grinding to build a multi-disciplinary catalog that defies allegations of nepotism or trend-chasing. While his clobbering drops and layered synths capture a cathartic energy, the sheer volume of stylistic shifts suggests a need for more editorial tightening to ensure every track maintains a core, singular identity. ## Future of the Persona Ultimately, Pirouette cements 2hollis as a compelling figure in modern pop, provided he balances his maximalist instincts with focused execution. His ability to create sensation-heavy music remains his greatest asset. Moving forward, his success will likely depend on whether he can refine these sprawling experiments into a more cohesive, singular vision. ## Sources covering this story - [Pitchfork – Reviews — 2hollis Explores Maximalist Ambition on New Album Pirouette](https://pitchfork.com/reviews/albums/2hollis-pirouette/) - [Stereogum — 2hollis Releases Genre-Bending Fifth Album Pirouette](https://stereogum.com/2517631/stream-2hollis-genre-bending-new-album-pirouette-featuring-writing-and-production-from-mk-gee/music/) --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._