# Dennis Vanderbroeck Designs Spatial Experiences for Collective Human Connection Spatial designer Dennis Vanderbroeck crafts immersive environments that prioritize physical presence over digital documentation. - **Source:** [design archives | designboom | architecture & design magazine](https://brifing.si/source/11868f8d-1e20-41ac-bc2d-8c5af32d721b) - **Published:** 2026-10-18 - **Topic:** [Design & UX](https://brifing.si/c/design) - **Original article:** - **On Brifing:** https://brifing.si/s/ea215af0-e8c4-4528-902d-fa9cca00a17f ## Designing for Collective Presence Dennis Vanderbroeck specializes in spatial design that prioritizes the temporary collectiveness of live events. His work spans fashion, theater, and music, focusing on how physical settings shape human encounters. By leveraging his theater background, he creates environments that facilitate interaction between performers and audiences, emphasizing the experience over the static space. ## Fashion Week Staging Strategies For recent Diesel and Miu Miu shows, Vanderbroeck implemented distinct spatial approaches to influence crowd dynamics. At Diesel, he utilized a rigid scaffolding structure to highlight collective energy and disruption. Conversely, his Miu Miu design at Palais d’Iéna employed tightly arranged bleachers to foster 1990s-style intimacy between models and the audience. ## Dynamic Stages and Modularity Vanderbroeck treats sets as dynamic tools rather than finished backdrops. His collaboration with Miu Miu for the upcoming Alice Diop exhibition, Geste de Consolation, features tracks and modular bleachers. These elements allow the runway to be reconfigured, ensuring the space remains adaptable for future transitions within the Art Basel Paris program. ## Architecture as an Emotional Tool At the Tate Modern for Issey Miyake’s OPEN STUDIO, Vanderbroeck utilized the circular geometry of concrete tanks to explore intimacy. He carefully mapped the audience’s journey from Henri Matisse’s The Snail into the South Tank. This design successfully transitioned the experience from a collective embrace to focused, one-to-one interactions between performers and viewers. ## Interdisciplinary Creative Synthesis Vanderbroeck’s work on Rosalía’s Lux Tour represents an accumulation of his diverse practice. By merging references from popular culture, fine art, fashion, and theater, he created a cohesive environment that supports live performance. This project demonstrates his ability to synthesize multiple disciplines into a single, unified experience for a large audience. ## Prioritizing Physicality Over Digital Despite the prevalence of digital documentation, Vanderbroeck intentionally designs for the physical experience rather than the phone screen. He acknowledges that while images matter, they cannot replace the energy of being present. His design process focuses on the room's atmosphere, ensuring that online resonance remains a secondary, albeit welcome, outcome of his work. ## Unpredictability in Live Performance Drawing from his recent work on Anton Chekhov’s The Seagull, the designer emphasizes that audience reactions remain inherently unpredictable. He views his role as shaping the conditions for an experience, acknowledging that the final outcome is beyond his control. This uncertainty is a fundamental aspect of his attraction to theatrical design. ## The Future of Spectacle Vanderbroeck’s practice challenges the modern tendency to measure and document every moment. By turning onlookers into active participants, his designs disrupt everyday perceptions. As part of designboom’s SPECTATOR AND SPECTACLE chapter, his work highlights the importance of mystery and physical connection in an increasingly digital and quantified global landscape. ## Sources covering this story - https://www.designboom.com/design/dennis-vanderbroeck-settings-moments-together-spatial-design-fashion-performance-interview/ — --- _Summary written by Brifing from the original reporting. Copyright in the original article belongs to its publisher; read the full piece at the link above._